Wednesday, 16 October 2013

A comparison

In this I shall be comparing The Uncle Sam Range (1876) and Daddy, What did you do in the Great War? (1915) by Savile Lumley.


In the Uncle Sam piece, what will initially strike you is its frank, unabashed patriotism. The floors, walls and curtains are the stars and stripes that make up the American flag, all of which are done in the bold red, white and blue to match. This flag theme even continues into the outfits of the parents in the room, one of them being Uncle Sam himself and the other is what must be his wife. Judging from the way that the wife is just in the background serving food while the father figure, Uncle Sam, is in the centre, foreground surrounded by his children and dinner guest suggests that the advertisement is designed with men in mind. It basically says to the viewer, with this cooker you had everything, the subservient wife, the adoring children, important dinner guests and even a slave to actually do all the cooking. It says that with this cooker you will be the undisputable ruler of your household and you will be truly American. Even the children sat at the dinner table are a representation of America as being best. The children are labelled Dixie, the west and England, while the dinner guest is the whole world, with a long list of dishes that are supposedly what people from all over the world eat. For example under the heading Ireland it says potatoes and has various ways that the Irish would eat them, including raw. The patriotism in this ad goes on to show that it has been a hundred years since the American Revolution and gives off the impression that it is almost your civic duty to buy their oven.















While the patriotism in the British piece is shown less obviously, with just the red roses on the curtains, the royal symbol on the armchair and the royal guard toys, the message of the poster is just as strong if not stronger. The most important information about this piece is that it was pre conscription and with that in mind it also gives off an impression of civic duty. However what it uses more than a feeling of civic duty is a feeling of guilt, emasculation and potential regret. It tells a story of a glorious victory which is put into children’s history books and will allow veterans to entertain and amaze their children with feats of bravery. The stare of the father indicates how those who miss out on this opportunity to be a part of history, will forever regret it and eventually when they have this otherwise idyllic life, achieved by said Great War, their children will lose respect for them, when they could so easily have done something to make their future children proud.
























While both rely on patriotism, to make their point and to convince people that it’s what they wanted all along, they go about it very differently, The war poster uses a much more subtle idea of patriotism to convey its message while the American one states that you can’t be truly American without their cooker. 

Monday, 14 October 2013

Five designs that I love

Chris Riddell

This is one of my favourite illustrators, I love how he can draw to fit the purpose. In his beautiful, fantastical, detailed drawings he can really engage the audience, he makes you want to see and explore the worlds he shows. In the reverse for his children's books simplifies his drawings right down while still managing to keep the essence of his work. He also does political cartoons which is where you can really tell how good he is at conveying the concept.













Teagan White

Sometimes I think that her work can seem a little twee, when it comes to her children's illustrations, because of this I tend to really prefer her drawings that are of animals over those of children. In the animals she gets the balance just right, making it cute rather than overpoweringly so. What  I really think makes her work great is her line detail on the animals but I think they lack the narration that makes others so interesting.



























David Roberts

David Roberts has the same ability as Chris Riddell to engage the audience, his pieces have a real sense of narrative to them. I find his black and white illustrations particularly  beautiful and intriguing.


























Jon Klassen

Jon Klassen's work is relatively recent to me, I grew interested in seeing more of it after reading one of his children's books. He has a wonderful capture of light and dark which is possibly why I enjoy them so much. He also has that same narrative as the other two.






















Luigi serfini - Codex Seraphinianus

I have not seen any of his other work but I love the encyclopaedic nature of this book he created. He created  a whole language for his book and said that he wanted his alphabet to convey the sensation that children feel in front of books they cannot yet understand, I also believe that in doing so he ensured that the reader would focus on the drawings themselves. As well as the language he created a parallel world and everything it contains. What I particularly love about this is the varying stages of strangeness  and how with no legible text you become so very curious for answers you will never receive.